author of Critical Judgement, Silent Treatment, Natural Causes, Extreme Measures, Flashback, Side Effects, The Sisterhood, Miracle Cure, The Patient, and Fatal
author of Harvest, Life Support, Bloodstream, Gravity, The Surgeon, The Apprentice, and The Sinner
And featuring TEN Literary Agents looking for new physician-authors
NEW! NEW! NEW!
Preconferences - Friday, September 10, 2004
Nonfiction Writing For Physicians
Getting Your First Novel Published
Screenwriting For Physicians Executive Summary
Topics Covered
Frequently Asked Questions
No - All you need is a desire or interest in writing.
Yes - This course will help both the new and experienced writer.
Attendance is the first step to getting started. Don't put it off.
It will be lively interactive and fascinating. You will "work" as much as you want to.
Seminar Benefits
This is the only course of its kind in the United States
Be inspired and motivated!
Past Attendee Reviews Dear Steve,
I attended the 5th annual Medical Fiction Writing for Physicians in 2004 and wanted you to know that I have now published my first novel. Your seminar at Cape Cod was the catalyst that I needed. Tess Gerritsen really inspired me.
My novel is entitled Time To Testify and is published by Xlibris in Philadelphia. Thanks again for providing seminars for physicians who have had very interesting experiences and who want to tell them. My novel deals with very topical issues including vaginal birth after cesarean (VBAC), cesarean section rates, malpractice, and a deadly courtroom scene.
Many thanks for your help.
John N. Haswell M.D.
Dear Mr. Babitsky,
I really enjoyed the Medical Fiction Writing Conference last September. Tess and Mike were great teachers.
I wanted to share my recent good news with you. I was just awarded first place in a national short story competition, The Hackney Literary Awards. To accept this honor I will attend the Writing Today conference at Birmingham Southern College and will give a reading of my work, as well as receiving a cash award. I am very excited and wanted you to know that I credit your course for teaching me to write at a competitive level.
I also met another attendee, Karen Laugel, MD and she has been a great resource. We have exchanged manuscripts and critiqued each others work. She has been a great source of encouragement and inspiration for me. I would encourage this year's participants to network as well. Thanks so much. Good at this year's meeting.
Yours truly,
M'Liss A. Hudson, MD
I attended the SEAK fiction conference in Cape Cod. I still even a few months later recall the time there and enjoyed it thoroughly. Your conference, including Michael and Tess were great!
I also wanted to let you know that the SEAK conference was inspirational to me in a couple of ways. First, I thought of Michael's use of the prologue and came home invigorated to try it, and I think it has made a big difference for the start of my book. So, thanks. I am excited to send it off again to get an agents attention.
Also, the conference was invaluable to me to encourage me to finish a couple of non-fiction articles I was writing for a contest in Medical Economics journal. One of them was accepted and is now available in a web exclusive at their web site and I invite you to read it. The address is www.memag.com, to find the article scroll down the home page to the web exclusive portion and click on the "Would I make the right choice?" link.
Thanks again. Take care, Jerry
Hi Steve and Colleagues; I attended your SEAK Medical Fiction-Writing for Doctors in Sept 2002. In fact, I was the sole Canadian participant and won third prize in your story contest that year. I haven't yet cashed in my coupon prize for a second SEAK conference. Anyway, I have some wonderful news to tell you. I submitted my manuscript (containing the chapter that won the prize in your contest) in August to Knopf Canada, an imprint of Random House. After keeping it for five months, they phoned me out of the blue and said they loved it but could offer no promises to publish. We spoke again on the phone, I had my hopes up, but the dreaded rejection letter arrived in the mail. It was a very encouraging letter full of praise for my voice and storytelling, but the bottom line was that they could not publish an unknown author, especially a memoir. The good news is that a second publisher agreed to fast-track my manuscript on the strength of Knopf's praise. He phoned me within two weeks, told me how excited he was about my work, and has agreed to publish it. More than that, we have signed an agreement and he has paid me an advance. He wants the book to be reviewed by the local literati, so it's being published in hardcover -- this year, in the autumn. Needless to say, I'm thrilled. So are my family, my writing teachers, the members of my writing group, my medical students. My wife has already started to plan the book-launching party. My sister, who owns an advertising agency (the largest independent agency in Ottawa, our Nation's Capital), is going to promote it. So� either I'll sell a handful of copies and give away a few dozen, or it will take off and be a best seller. In Canada (population 30 million), a best seller is only 3000 to 5000 books sold. Many thanks for your encouragement and for the important things I learned at your conference. I'll send you a copy of my book in the autumn this year. All the very best, Ross Pennie MD Dr. Ross Pennie Microbiology Laboratory Brantford General Hospital
What Last Year's Participants Had To Say About The Programs:
Faculty
Tess Gerritsen, MD
Michael Palmer, MD
Agents and Editors
Lucienne Diver has been with the Spectrum Literary Agency for more that 10 years. She represents commercial fiction and suspense.
Elaine English is an Agent at Graybill & English, LLC, in Washington, DC. She is an attorney who expanded her legal practice to include agenting of commercial fiction.
Scott Hoffman is a Literary Agent at PMA Literary Agency in New York City. A life-long book junkie, he represents literary fiction, genre fiction, and the occasional project that just can't be classified.
Elaine Koster is the Founder of the Elaine Koster Literary Agency located in the Lincoln Center of New York City. She is the former president of Dutton. Some of the authors she published were Stephen King, Ken Follett, and Joyce Carol Oates.
Martha Millard is the Founder of Martha Millard Literary Agency in New York City. She represents a wide variety of fiction and has a special interest in thrillers.
Peter Miller is an Agent at PMA Literary and Film Management, Inc. He is most interested in agenting action suspense fiction.
Susan Ann Protter is a New York Agent who is interested in suspense fiction including thrillers.
Katherine Sands is a Literary Agent with the Sarah Jane Freymann Literary Agency in New York City. She represents a wide range of authors in a wide range of fiction.
Michael Snell is the President of the Michael Snell Literary Agency founded in 1978 which has overseen the publication of over 500 fiction and nonfiction titles. Michael has co-authored or collaborated on 38 books.
Patricia Snell is the Vice President of the Michael Snell Literary Agency which has overseen the publication of over 500 fiction and nonfiction titles.
Andrea Somberg is an Associate Agent and Rights Director of the Donald Maass Literary Agency in New York City. She is actively looking to expand her list focusing on fiction.
Alice Tasman is a Literary Agent with the Jean V. Naggar Literary Agency in New York City. She handles mainstream fiction and literary fiction.
Steven Babitsky, Esq.
Beth Wechsler, MSW
Schedule
Friday, September 10, 2004
Personal Success Stories: Michael Palmer and Tess Gerritsen
Discussion with Authors/Seminar Leaders
Premises vs. Plot, Ideas and Where You Get Theme, Setting and Atmosphere, Showing vs. Telling, Points of View Writing Exercise Group Discussion
Naming and Describing Your Characters, Back Story, History of Characters, Motivation, Relationships, Conflict, Dialogue, Minor Characters, Evolution of Characters Throughout the Book
Writing Exercise Group Discussion
Building Scenes, Developing Suspense, Pacing, Crisis and Resolution, Opening Hooks Writing Exercise Group Discussion
Palmer and Gerritsen
Subplots, Handling Transitions, Starting and Ending Chapters, Suspense and Surprise, Themes, Flashbacks Writing Exercise Group Discussion
Agents and Editors, How to Write a Synopsis and Query Letter, Publication Process, Manuscript Appearances and Mechanics, Ancillary Markets, Book Tours Group Discussion
How to Research Cost Effectively, Editing Process, When is Enough Revising Enough
Writer's Block, Distractions, Fears, Leaving the Nest (Spouses Invited)
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